Today, we’re looking into the world of the superhero, but not the kind of superhero we’re used to. I’m talking about The Boys, a series that has taken the genre by storm, unveiling a fresh and gritty take on the classic set of tropes.
- Deconstructing Superhero Tropes
The Boys TV series succeeds where others fail partly because it intelligently deconstructs the stale superhero narratives we have grown bored with. At its core, the series examines the consequences of unfettered corporate and individual power protected by a relentless media campaign. It highlights the collateral damage that can be inflicted on society by powerful individuals who are driven by self-interest and narcissism, even to the point of murder: When the speedster hero A-Train accidentally kills Robin, Hughie’s girlfriend, it sets off a chain of events that exposes the art of the cover-up, the dark side of Vought International, and its pursuit of power at all costs.
. - Complex Characters
Unlike the one-dimensional heroes often portrayed in the stale superhero genre, the characters in The Boys are multi-layered and morally ambiguous. Take Homelander, the most powerful of all the Supes who leads the Seven, a select band of super beings created by Vaught International. Homelander presents himself as the epitome of American virtue hiding behind a winning smile, but in reality he harbours a fractured psyche, dark secrets, and a murderous streak. His shocking destruction of the Mayor of Baltimore’s private jet at the end of the first episode to stop the Mayor from exposing the truth behind Compound V, Vought International’s Supe-juice, sets the tone for the entire series. Homelander will stop at nothing to protect Vought and himself. Vought’s attempt to silence Hughie after the death of his girlfriend is further proof of that. - Real-world Parallels
But The Boys also resonates with audiences because of its exploration, through the lens of superhero fiction, of real-world issues. The Corporate influence on society is exposed early in the series through Vought International’s lack of sincerity, and its criminal attempts to protect its brand at all costs. This points to how huge corporations may prioritise profit over ethics in the real world.
. - Emotional Depth
While the series is filled with action-packed sequences, it is the emotional depth of the characters that truly sets it apart: Hughie’s grief and anger over Robin’s death, motivates him to seek justice against the corrupt superheroes. His journey to become one of The Boys is driving force behind the series, grounded in his relatable emotions and struggles. - Satire and Dark Humour as Self-Critique
The Boys doesn’t shy away from satirising the superhero genre, and pop-culture as a whole. We see this through the character of the Deep. His aquatic powers are no match for Homelander’s bullying, and his deviant, sexual infatuation with Timothy the octopus is an added source of embarrassment and ridicule.
Homelander’s complete dominance over the Deep is established early on, when he learns that he found scorch marks on the engine of the crashed plane and tells Stillwell. Homelander easily intimidates the Deep into silence.
- Grey Morality
Finally, The Boys challenges the notion of a black-and-white morality often associated with the superhero genre. Indeed, the series as a whole explores the spectrum of moral dilemmas faced by supposedly good characters like Hughie and Butcher as they seek revenge against the Seven. Their actions blur the line between heroism and villainy, forcing us to question the traditional definition of good and evil.
The series has been renewed for a fourth season, and continues to subvert expectations to offer a darker, more nuanced take on the superhero genre. As a result The Boys has garnered a world-wide following which shows no sign of slowing down.
Summary
The Boys differs from the conventional superhero fare due to its intelligent deconstruction of old tropes, its use of complex characters, its real-world parallels, its emotional depth, its self-critique through dark humour and satire, and its mature exploration of moral ambiguity.
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