People often ask writers: Where do your characters come from? Where do you look for them? How do you select them?
The truth is that characters are most often stitched together from bits and pieces inspired by the people we have met, united by a common premise and animated by the necessities of plot.
And, like Dr. Frankenstein, writers pour themselves into their creation. We infuse our characters with our spirit and have them play out our hopes and fears.
But like Frankenstein’s monster, our creations sometimes rebel. They take on a life of their own. The result is no longer the sum of its parts. This is when our voice takes over, shaping the narrative. Some call this the muse. For me, this voice is a phantom conductor molding the numerous notes into a seamless symphony.
In my forthcoming novel, The Nostalgia of Time Travel, Benjamin Vlahos, is a man struggling to marry Quantum Theory with General Relativity. At the same time, he is haunted by the death of his wife, a tragedy that occurred years previously – something he never got over.
My protagonist is drawn from many sources. A beloved math teacher in high school, a cousin in Greece, friends and neighbours in South Africa, England and Australia, several famous physicists whose biographies I have studied. There are even elements of myself in him. My love for mathematics, relativity theory, and quantum mechanics is no secret.
But ultimately, the character will remain a corpse unless I breathe life into him. This breath typically takes the form of bestowing him with human purpose.
In The Nostalgia of Time Travel, Benjamin Vlahos has one impossible goal. To travel back to the past and prevent his wife from dying. It is this inner obsession that brings the disparate aspects of his personality together and drives the story forward. Without it Benjamin is a mere assemblage of traits serving the plot.
Assemble your characters from a variety of sources, but infuse them with life by providing them with a powerful purpose.
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