Such writers believe that greatness springs ready-formed from the inspired brain – that great writing, somehow, is handed down to us, preconceived and complete, like the Ten Commandments to Moses on Mount Sinai.
But even if it were true that genius does not require training and a writing methodology, where would that leave the majority of us typing away on our keyboards in the dark?
When I first started writing I knew little about structure other than the old Aristotelean advise that a story should have a beginning, middle, and end. My efforts were guided mainly by the aggregated jumble of books I’d read and films I’d seen.
I was not short on starts. Images, sounds, ideas came to me in a bewildering stream of disjointed segments, but like the pieces of a jig-saw puzzle taken from different boxes, they did not fit together in any coherent way.
Writing a story back then was a hit-and-miss affair. It was a sweaty, messy, grinding struggle that sometimes produced good passages. Mostly, however, the writing was bad enough to convince me not to give up my day job.
None of these passages survived.
It was only when I came across Syd Field’s, The Screenwriter’s Workbook, that the light finally flicked on. Here was a book that laid out the structure of a story in a series of beats governed by turning points that spun the tale around in a zigzagging manner, weaving in surprises to keep the reader interested until the climax and resolution at the end.
Suddenly, I could take an idea and plot it out before commencing the actual writing of it, regardless of whether the Muse had scheduled to visit me that day, that week, that month. My first novel, Scarab, which shot to the #1 spot in the Sci-Fi category on Amazon’s Kindle, is a result of this process.
It was the start of a wonderful journey that has spanned three continents and continues to this day. And though Syd Field is now only one of the many teachers I have followed, I’ll always remember him as my first.
And for that, I’ll toss the nay-sayers a shrug and say, thank you, Mr. Field.
Syd Field taught me the basics of story-structure.