Here is an effective way to draw your readers into your stories—infuse your writing with strong emotions.
Strong emotions draw us into intimate situations, allowing us vicariously to experience the characters’ lives as our own. But this demands maturity on the part of the writer. Firstly, to recognise the intricate web of emotions resulting from one’s own life. Secondly, to tie these emotions into a theme or premise. It involves a high level of self-awareness and critical thinking.
F. Scott Fitzgerald once offered some advice in response to a short story sent to him by Francis Turnbull, a Radcliffe College student and family friend.
“… I’m afraid the price for doing professional work is a good deal higher than you are prepared to pay at the moment. You’ve got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly … It was necessary for Dickens to put into Oliver Twist the child’s passionate resentment at being abused and starved that had haunted his whole childhood. Ernest Hemingway’s first stories ‘In Our Time’ went right down to the bottom of all he had ever felt and known. In ‘This Side of Paradise’ I wrote about a love affair that was still bleeding as fresh as the skin wound on a haemophile …”
”Strong emotions are the key to reader and audience engagement.”
What Fitzgerald is saying is that new writers have a better chance of engaging readers if they relate stories that contain heightened emotions based on personal experience. Characters and events can be adjusted to suit, but emotions should be drawn from strong, ‘lived’ experience. Fitzgerald believes this is the price of admission writers have to pay.
He continues, “the amateur, seeing how the professional having learnt all he’ll ever learn about writing, can take a trivial thing such as the most superficial reactions of three uncharacterized girls and make it witty and charming – the amateur thinks he can do the same.”
F. Scott Fitzgerald’s advice, then, is to use powerful, personal experience to evoke heightened emotion in readers and audiences, especially when first starting out. Mining smaller, more trivial details for subject matter takes time and maturity to pull off.
Search your life for big, wrenching emotions and distill them into your stories. It will make your characters more authentic and impactful.