I remember reading several comments on social media that criticised literature and art film while praising genres such as Romance, Crime, and low-brow Science Fiction. Literary stories and art movies were seen as boring, introverted, and static while the latter were described as pacy and exciting.
Now, it is true that literature and art movies, at their worst, can be torturously boring. But the same is true of popular novels and films – unrealistic characters and settings juxtaposed against weak plots spun around improbable actions resulting in formulaic endings. And all in the name of entertainment.
I don’t know about you, but I don’t find stories peopled by thin, unrealistic characters entertaining at all. In fact I find many of them to be unreadable and unwatchable. This is not to say that there isn’t value and skill in popular stories. I would not be writing in established genres if I didn’t believe in convention.
But I also believe that there are things we can learn from literature and art film.
Things such as integrity, uniqueness, and insight that lead to a strong connection with fictional characters.
“Literature need not cede exciting plots to commercial fiction. Literature can combine plot with well-crafted characters to create stories that are simultaneously gripping and insightful.”
I think where literature and art films often leave themselves open to criticism is that they are big on insights about characters facing ordinary problems and small on exciting plots. It is almost as if some of these works see plot as something artificial, contrived. Several recent Pulitzer and Booker winning novels relate the life history of protagonists in a way that seems like a mannered study in chronology, albeit crammed with perceptive observations about everyday life.
But the presence of an interesting plot is not antithetical to the search for truth and meaning – the purview of more serious works. After all, one of the most cherished modern stories, To Kill a Mocking Bird, manages to do both.
And, here, I think, may lie the solution to writing stories that are potentially more accessible to ordinary readers and audiences while being endowed with deeper layers of meaning – namely, stories that contain exciting and meaningful plots.
I have a suspicion that the likes of Dickens, Mark Twain, and H. G. Wells, all popular writers in their day, might have agreed with me.
Literature or art films driven by strong and exciting plots make for popular and meaningful reading and viewing.