Principles of Backstory

Inglorious Basterds
Inglorious Basterds makes masterful use of the principles of backstory.

In this post we look at an important aspect of effective storytelling, the principles of backstory. The following question immediately comes to mind:

Q: When is it useful to include backstory in your screenplay or novel?

A: When information from the past is needed in order to make sense of the present and future.

Three Principles of Backstory

1. In writing backstory consider the following:

1. Is it absolutely needed?
2. Is it economically executed?
3. Does it blend in seamlessly with the rest of the text?

Necessary Information:

Include only information that is absolutely necessary to your story.

In a chilling scene in Inglorious Basterds, for example, we learn that the SS’s Colonel Hans Landa’s mission is to find missing Jews in the French countryside whom he suspects are being protected from by French Farmers.

Economically Executed:

Always try to deliver backstory in the most economical way.

In the same film, some of the backstory is revealed through Landa’s sinister, if well-mannered, speculation, interlaced with subtle threats to the dairy farmer’s family, that he suspects Perrier LaPadite of hiding a Jewish family under the floorboards of his farm house. The dialogue, therefore, does double duty: 1. It reveals the reason Landa is interrogating LaPadite—he is aware of the French dairy farmer’s sympathies for his one-time Jewish neighbours. 2. It increases our suspense because the backstory becomes an indispensable part of the interrogation with an immediate threat to the farmer and his family.

Seamless Blending:

Backstory blends seamlessly into the tale when it surreptitiously manages to drive the plot forward, as in the above example, rather than halting it In order to reveal background information. Because it becomes part of the forward thrust there is no interruption to the story’s relentless march towards the climax. Interest and tension is actively maintained.


The principles of backstory present information in a way that does not impede the forward-thrust of the plot.

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