Monthly Archives: August 2015

Why Put Up Your Book For Free?

Book cover

The Nostalgia of Time Travel

It’s been a while since I used Amazon’s KDP option of putting up a book for free for a few days as a marketing strategy for my novels. In the old days, if your book did well in the get-for-free list, its ranking was transferred to the pay-to-read list.

But since then Amazon has tightened its algorithms. The do-well affect is not as transferable. So why offer your book, whose creation is a torturous and labour intensive task, often spanning months, for free?

Well, for one, it gets your work read. Amazon still calls the shots in the indie world in terms of spread and reach. Obscurity is akin to oblivion for a writer. Rather have people read and (hopefully) enjoy your book than have it wallow in the darkness among the millions of other books that are never discovered.

Secondly, there is always a chance that some kind souls who have harvested your book for free will find it in their hearts to review it and post the reviews up on Amazon. As we all know, reviews are like gold dust to indie writers.

Thirdly, a widely popular book on the read-for-free list, does enjoy some spill off effect. Maybe not a torrent, maybe not a gush, but definitely a leak.

It is for these and other reasons that I decided to put up my latest book, The Nostalgia of Time Travel, a novelette, for free on Amazon for a period of three days. Within two days, Nostalgia had shot up the lists — #3 in the Metaphysical bestseller category, and #4 in Fiction and Literature!

So far so good.

But, again, the nagging question persists: Will the book’s popularity endure? Time will tell.

Needless to say I’ll be reporting on The Nostalgia of Time Travel’s bid for prominence, in the near future. Watch this space, because if it works for me, it can work for you!

Summary
Offering your book for free for a few days on Amazon may help get it noticed.

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Who Are The Point-of-View Characters in Your Story?

MankinsA screenplay or novel is typically filled with several characters, in addition to the protagonist. One of our tasks as writers is to know who the viewpoint characters of our story are going to be.

Here’s a short list, drawn from Margret Geraghty’s The Novelist’s Guide, on who they are and how to craft them:

1. Ask yourself: which of my characters have the biggest stake in the story I’m trying to tell? Have the most to lose? Care most passionately about solving the story-problem? Your answers will indicate who your point-of-view characters are.

In The Land Below, Paulie is the character with the biggest responsibility and with the most to lose. But the Troubadour, too, has high stakes centered around a secret he has kept from Paulie all these years. Both are point-of-view characters who seize and hold our interest.

2. Which characters are the most interesting? The most intriguing? These are the characters the reader or audience wants to know most about.

3. Which of the characters are most involved in driving the action and the story forward? Passive characters are the least interesting and tend to slow the story down.

4. Which characters are the most complicated? Complex characters hold our attention through their unpredictability, complexity and depth. In The Nostalgia of Time Travel, Benjamin Vlahos is such a character in the sense that we are uncertain whether he will choose to live or die by the end of the story.

Point-of-view characters are indispensable in creating interest, intrigue, and movement in our stories. They are the vehicles through which our readers and audience experience the story.

Summary

Craft point-of-view characters by making them complex, interesting, active, and with the most to lose.

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The Nostalgia of Time Travel

The Nostalgia of Time Travel

Man superimposed with galaxies and cycloneThis post is unashamedly about my latest novelette, The Nostalgia of Time Travel. The novelette represents a new departure from my usual writing, although I’ve tried to keep external events that are at the core of every genre-driven tale a strong feature of this story.

The novelette is part of my ongoing attempt to bring a more authentic, literary approach to my stories while still managing to retain a strong outer journey—something I began exploring in my previous novel, The Land Below.

Here’s a short description of The Nostalgia of Time Travel:

After the accidental death of his wife, Miranda, Benjamin Vlahos, an American theoretical physicist relocates to a remote resort town in Northern Queensland to work on a set of equations to prove that time travel to the past is possible. As he struggles with the math, a deadly cyclone approaches, dragging with it ghosts from an unresolved past.

As always, I’ve worked with nuggets mined from different genres in an attempt to keep the story fresh and unpredictable, but I’ve taken extra care to keep the emotional and psychological dimensions authentic.

Here’s an early indication from the first Amazon.com review. I’d love to hear from others whether you think I’ve succeeded.

It’s a book for people who enjoy exploring the complexities of human nature By hannah on August 8, 2015
Format: Kindle Edition Verified Purchase

A thought provoking novel, that excels at creating a rich, layered world for his characters, with lines you want to read out loud, just to hear them. It’s more of a book for people who enjoy exploring the complexities of human nature, rather then just a waiting for the next plot point.

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Do You Like Your Stories Up Close and Personal?

Lonely man on pierContinuing from last week’s article drawn from Margaret Geraghty’s The Novelists’s Guide, we look at the pros and cons of using the first-person technique in storytelling.

Despite its restrictions, the technique has many strengths to commend it.

When The Catcher in the Rye was first published in 1951 readers were so convinced of the actual existence of Holden Caulfield, the story’s fictitious narrator, that they scoured the streets to find him. The author’s use of youthful speech patterns, exaggeration, present tense, and slang imbued the work with a sense of fluency and authenticity that would be hard to create through the more common third person past tense narrative.

The Nostalgia of Time Travel, my soon to be released novella, concerns the struggle of an aging theoretical physicist, Benjamin Vlahos, to unite two grand theories – General Relativity and Quantum Mechanics – in one grand theory of everything.

Additionally, Benjamin is haunted by the loss of his wife that occurred thirty years previously, blaming himself for inadvertently creating the chain of events that led to her death. To make matters worse, one of the most powerful cyclones to ever threaten the coast of Northern Queensland in Australia is closing in.

As these events wind ever closer together, interspersed with fragments of memory, theoretical speculation, and a haunting sense of loss, the narrative becomes increasingly nostalgic, ethereal, and tense.

I chose to use the first person present tense for the following reasons:

1. The technique lends itself to a colloquial style which encourages a sense of collusion between the reader and Benjamin. We are made privy to Benjamin’s hopes and fears in a more immediate and direct way than is otherwise possible.

2. Because this style uses natural, fluent, speech patterns, it is less likely to descend into pretension, pompousness, and purple prose. It is also a lot easier to read.

3. Since I’m addressing the reader directly, I do not need to use intrusive speech tags. This suits a story of introspection that is driven by emotion and the tension of physical peril caused by the approaching storm.

4. Secondary characters are richer precisely because they are projected from a single viewpoint. When the young Benjamin, thinking back to his youth, says of his uncle, ‘I wished I was bigger so I could pack his bag and shove him out of the house,’ we experience this through the eyes of a six year old child and forgive him his prejudice.

5. On the down side, the protagonist has to be in every scene and the thoughts and feelings of other characters have to be filtered through his viewpoint. But again, because characters are experienced through the heart and mind of our protagonist, we are given more opportunities to explore his soul through his misunderstandings, and through irony, pathos, and humour.

5. Another criticism is that the technique forces the repetitive use of ‘I’. In The Nostalgia of Time Travel, however, the frequent use of the word adds to the sense of pathos, stasis, and eccentricity of the protagonist, as seen below:

‘I wipe my reading glasses with my handkerchief to ensure they are free of smudges, squeeze them back on my face, and tilt my equations this way and that. I dot my i’s and cross my t’s. I make sure my pluses are not really minuses resulting from a lack of concentration. I sip another cup of coffee and spread more syrup over my waffles before I study the math again.’

Summary

Use first person, present tense narration to invoke a powerful sense of authenticity, immediacy and intimacy.

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If you enjoyed this post, kindly share it with others. If you have a suggestion for a future one, please leave a comment and let’s get chatting. You may subscribe to this blog by clicking on the “subscribe” or “profile” link on the bottom right-hand side of this article. I post new material every Monday.