Monthly Archives: April 2016

How to Write Great Dialogue

Great DialogueSTORY consultant Linda Seger reminds us that great dialogue is an indispensable part of any enduring story.

Great dialogue has rhythm, context and veracity. It conveys character through subtext and promotes plot through subtlety, ingenuity and compression.

Making Dialogue Memorable

Sometimes a line of dialogue rises to the status of theme and serves to sum up the premise of the story. At its best, it becomes a meme, an item in our menu of commonly used expressions.

In my classes on storytelling, I urge my students to come up with several supercharged lines in their story that not only capture some important aspect of a character, but that also sum up or, at least, highlight important features of the tale.

Such snippets of dialogue increase their power through repetition, not only within the story itself, (the line is repeated by the same or other characters), but also extradigetically, through the viewers and readers who quote it in their everyday lives.

Who can forget these immortal lines?

1. “Go ahead, make my day.”
2. “I have a feeling we’re not in Kansas any more.”
3. “Life is like a box of chocolates.”
4. “I’ll be back.”
5. “I love the smell of napalm in the morning.”
6. “I’m not bad. I’m just drawn that way.”
7. “I’m going to make you an offer you can’t refuse.”

Great dialogue echoes, sings, resonates, surprises and excites. Like great music, it keeps replaying itself over and over in our minds.

How many of the lines above can you place? Check below for the answers.

Summary

Great dialogue performs many functions in a story. At its best, it becomes a meme that spreads throughout society, immortalising its source.

1. Dirty Harry
2. The Wizard of Oz
3. Forrest Gump
4. Terminator
5. Apocalypse Now
6. Who Killed Roger Rabbit
7. The Godfather

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Dazzling With Language in Stories

Dazzling language in storiesThere are many things that go into crafting great stories.

Some aspects are hidden from initial view. They are glimpsed only as the story progresses. They exist in the tension between character, theme, setting. They relate to pace, tone, mood, insight.

Such tensions play off against one other eventually kindling a fire that dazzles. Others, such as arresting physical and psychological descriptions through simile and metaphor, are immediately apparent.

No two stories are the same. The narrative relationships within each are too rich and varied for that.

A gifted writer knows when to dazzle us with her exotic yet precise word choice and when to use a subdued vocabulary in order to let something else shine through. A gifted writer is like a gifted conductor, moulding, pacing, coloring every note to greater purpose, now drawing our attention to one voice, now to another.

Dazzling Stories

Today I want to point to what is perhaps the easiest skill to spot – the virtuoso use of language that grants us crucial insights about life (and death).

Examples in stories are as numerous as they are varied, so my choice is a personal one. I’m referring to the many arresting lines from Paul Harding’s first novel, Tinkers, which won the Pulitzer for literature in 2010. The book has not only had a lasting effect on me, but has inspired me to try my hand at a more literary style, resulting in my recently released novella, The Nostalgia of Time Travel.

There is something magical about Harding’s use of language that transcends space and time and makes it truly universal. He starts his book with the lines:

“FORGE WASHINGTON CROSBY BEGAN TO hallucinate eight days before he died. From the rented hospital bed, placed in the middle of his own living room, he saw insects running in and out of imaginary cracks in the ceiling plaster.”

A little later, Harding gives us this surreal description of Forge’s world tearing open as he prepares for death:

“The roof collapsed, sending down a fresh avalanche of wood and nails, tarpaper and shingles and insulation. There was the sky, filled with flat-topped clouds, cruising like a fleet of anvils across the blue. George had the watery, raw feeling of being outdoors when you are sick. The clouds halted, paused for an instant, and plummeted onto his head.
The very blue of the sky followed, draining from the heights into that cluttered concrete socket. Next fell the stars, tinkling about him like the ornaments of heaven shaken loose. Finally, the black vastation itself came untacked and draped over the entire heap, covering George’s confused obliteration.”

This is exceptional, packed writing. How can one not want to read more?

Although I do not presume to claim a place amongst such illustrious company, passages such as the ones quoted above inspired me to come up with my own insights about growing older and our need to reconcile our life with our past mistakes. Here’s my protagonist, The Nostalgia of Time Travel‘s, Benjamin Vlahos, pleading for a second chance to get life right:

“Sometimes, I wonder what it must be like to be a subatomic particle existing for the briefest of moments; all the joy and pain of birth and death compressed between the two staccato ticks of that relentless hand.

At other times I imagine a scaled-down version of myself, living on the surface of the watch, fighting against the perpetual ticking of that fearsome engine. I imagine gripping the watch’s hands in my bleeding fists, my arms extended, my body and head thrust forward, my legs bent and wide apart, until I stop the hands from ticking and force them back, rotating them anti-clockwise, back to that moment on the Sydney pier when I stopped to buy my last pack of cigarettes, while Miranda stood on the pavement smiling brightly back at me.”

Ultimately, Benjamin, despite his being a theoretical physicist, opts for art, not science, as a way of understanding life’s vicissitudes:

“Isn’t everything worth knowing squeezed inside the kernel of a story? All that’s ever been written, sang and spoken, pressed into a single pearl? The story is our raft when old age casts us out to sea; the logs are the memories, the ropes are the love and kindness we have shared. Can my equations ever be that?”

Summary

Use powerful but appropriate metaphors In your stories to immediately capture your reader’s attention.