Most writers I talk to have at least two things in common: they want to be read and they want to write well. I’m one of them.
We dream of writing a book or screenplay that’s so accomplished, that so touches the nerve of some current or emerging issue, shedding new light on its emotional, social, and political ramifications, that it shoots up the best-seller lists.
Let’s not fool ourselves — we all seek an audience. Even those of us who pretend, in our darkest moments, not to care, or who fool ourselves into thinking that if only the gatekeepers could understand the depth and complexity of our writing, they’d smile and nod and fling open the doors to the pantheon.
Popularity, of course, is no guarantee of quality. But neither is obscurity. Shakespeare was popular in his day. So was Dickens. Hardly a pair of slouches.
In my line of work as a teacher and writer I come across wordsmiths who’s idea of quality is language and subject matter that is impenetrable and stolid. Indeed, it seems that some make it a point to choose words that are obscure over words that are familiar, as if a large and exotic vocabulary, is, in itself, a sign of creative talent.
Of course, as writers we should cherish all words. Building a large vocabulary is a necessary goal, but we should not remain blind to the sensual quality of words — the notion that words of Anglo Saxon origin, in creative writing, tend to be more explosive and tactile, than their Latin or Greek-based counterparts.
Depending on the context, for example, “I punched him in the gut,” tends to be more forceful and tactile than “I punched him in the stomach.” In my newly released book, The Land Below, I’ve used both, but each time I was governed by character and mood.
We should ensure the words we choose are not, by their texture and nuance, broken bridges to the feelings and ideas we seek to express. And that, of course, requires we understand their origin as well as their meaning.
Finding a voice that speaks to the masses, while sharing the love of language and subject matter, is a worthy life-long goal for any writer. Living in an ivory tower with the echo of our own grandiloquence for company is not.
Sharing the love of words and subject-matter through clear and accessible language is a worthy goal for any writer.
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Image: Stavros Halvatzis (c)