Types of Character Flaw
Ostensibly, the flaw can be born out of internal causes, such as an emotional scar from the past, or, external ones, such as an illness or a physical defect (which, in turn, creates a psychological response). It can manifest as an inability of a character to trust others, a need to control or manipulate others, or a particular prejudice. Flaws that generate conflict within and beyond the character help to make for interesting stories that resonate with verisimilitude.
Some of the best stories have revolved around the protagonist’s desire to conceal or overcome a flaw in character. In Shakespeare’s Macbeth, the Thane’s latent desire to be king is brought to the surface by various external forces, especially his manipulating and ambitious wife, while in Othello, the Moor’s insane jealousy and distrust of his innocent spouse, Desdemona, results in his murdering her.
Additionally, a flaw generates questions which serve the story: What lies and defenses has the character created to conceal the flaw? How has the flaw shaped the fears, aspirations, and foibles of this character? And crucially, what influence does the flaw exert over each of the major decision/action points in the story—the inciting incident, the first and second turning point, as well as the mid-point?
The Character Flaw as a Synching Device
Above all, a well-designed flaw allows for the synching up of the internal and external aspects of the Hero’s journey though the link of cause and effect, and as such, is one of the most useful techniques to master. It is often the “why” to the story’s “what”. In The Matrix, for example, Neo’s inner journey is to accept his role as The One. His outer goal is to defeat Agent Smith and the machine world, something that can only occur when he achieves the inner goal of moving from a lack of self belief (flaw) to one of belief. This inner journey, which represents Neo’s character arc, inflects each major action in the story and, therefore, gives shape to the story as a whole. It neatly ties into the notion of want vs. need that we examined in an earlier post, by relating the external (want), to the internal (need).
A character flaw inflects a character’s external response to the world, and in this sense, helps to explain the true psychological motivation behind his or her actions in a story.
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