Dramatic Beats and Turning Points in Stories

A dramatic Beat and Turning PointsA dramatic beat is a small but significant knot of information in a story.

Beats generally take the form of an event or action resulting in a reaction. Although a beat provides additional information, it is not strong enough to spin the story in a different direction.

Consider the protagonist in a story getting ready to meet his fiancĂ© at a restaurant. He opens the door to find his mother standing outside. She’s come for a visit. He politely informs her that her visit will have to wait as he is already late for his date. His mother leaves, somewhat disgruntled.

The unexpected arrival of the mother and her having to leave constitutes a single dramatic beat.

The number of beats can be as low as one or two in a short scene, to five or more in a longer one. There is, however, no set number. Importantly, the rate of beats in an entire story varies from genre to genre. Art cinema and literature typically has a slower rhythm than mainstream films and novels.

The Dramatic Beat and Turning Points

A turning point, by contrast, is new information that is so forceful and, often, surprising, that it turns the story in a new direction. Things can no longer continue as they are.

“Turning points are beefed-up dramatic beats that turn the direction of a story.”

In our above-mentioned example, imagine our protagonist opening the door to have his mother reveal to him that his fiancĂ© has just told her that she’s leaving him for another man. In a love story, that would constitute a turning point – a beat on steroids that changes the direction of the story.

Not all turning points come from outer events. Sometimes a sudden insight about some hitherto hidden truth about a character’s life can turn the story on its head – as in Benjamin Vlahos’ realisation about his true ancestry in The Nostalgia of Time Travel.


The dramatic beat is a small but significant unit of action and reaction in a scene. Turning points are beefed-up beats that change the direction of the story.

5 thoughts on “Dramatic Beats and Turning Points in Stories

  1. Gerhard Pistorius

    Thanks Stavros , it’s easy to get lost in a story if you can’t distinguish a beat from a turning point.

    If I understand it correctly : In Shakespeare’s the Merchant of Venice the antagonist is determined to have his bond of a pound of flesh of the man who owes him money. The single scene in which the antagonist is told that should he spill a single drop of blood from the victims body he will be in violation of the bond – resulting in the antagonist to reconsider a alternative method of payment. Is this considered a turning point?
    Where as in the wolf of wall street ( highly recommended) a family member dies( dramatic beat) and causes the anti hero to go to Switzerland to claim her money , resulting in a near death experience( dramatic beat) results in the anti Hero to reconsider his life philosophy of greed is good.

    In short : Dramatic beats causes characters to grow, turning points define their eventual destinies.

    1. Stavros Halvatzis Post author

      Gerhard, yes, if a beat does not change the direction of the story either through character growth or an external event, then it is merely a beat, and not a turning point.

  2. Stephen Marcus Finn

    Thanks, Stavros – interesting again. I wonder whether this is in any way linked to your dislike of the use of
    “(beat)” in a film or TV script.


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