In his book, Writing Screenplays that Sell, Michael Hague, emphasises the need to make our heroes likable in order to create audience and reader identification.
Likable heroes make for more successful films and novels. A consistently repellent, unlikable hero is almost a contradiction in terms and usually accounts for the failure of a film at the box office.
Here are three simple but effective ways to achieve likable protagonists:
Make your her a kind, good person, as with the heroes in Norma Ray, or Crimes of the Heart.
Make the hero funny and entertaining, as in Beverly Hills Cop, or Lost in America.
Make the hero tough, or good at what he does, as in Dirty Harry and Lethal Weapon.
Using one or more of these traits (preferably all three) will make your hero more sympathetic and engaging — vital steps in creating identification with the audience.
Additionally, be sure to establish these positive traits as soon as possible – especially if you are dealing with a complex, flawed characters. Only after you have created identification can you begin to reveal their inherent flaws. Once we begin to root for our hero, we are likely to continue to do so, no matter what imperfections we spot in him later on.
Ensure the heroes in your screenplays and novels display some likable traits, early on, before exposing their flaws.