Tag Archives: Screenwriter’s Workshop

How to Avoid the Blank Page

The Blank Page

The Blank Page

In his book,The Screenwriter’s Workbook, Syd Field mentions that the great Irish writer, James Joyce, once said that writing is like climbing a mountain. When ascending the rock-face, all you can see is the surface directly in front and behind you. You can’t see where you’re going or where you’ve come from. Writing is a little like that. All you can see is the page you’re immediately working on.

Pantser or Plotter?

When we sit down to write a screenplay, novel, or short story we are faced with the daunting challenge of having to fill a blank page. Having a story roadmap helps us orientate ourselves and get us to our destination sooner — page by page.

Some writers like to plan the story meticulously before writing down a single word of the actual screenplay or manuscript. Others like to write from the seat of their pants — pantsers in colloquial speech. But even pantsers ought to have some idea of story direction prior to commencing the journey. Having a sense of the overall story’s structure, knowing how our story ends, for example, allows us to to begin charting the protagonist’s journey from page one.

Even more helpful is knowing what the midpoint or turning points are. This allows us even more freedom — the freedom to drop into at any point in the story and write from there. If we are feeling sensitive and soppy today, we might write up the love scenes of our tale; if, on the other hand, we are in the mood for action, the confrontational scene between the Hero and the antagonist might be more appropriate.

Left or Right Brain?

Sitting down to write a story from a structural roadmap, however, often changes the roadmap. Turning points, the midpoint, pinches, even endings, shift, breathe. The structure (essentially a left-brain activity) that we outline in the cool light of day mutates when we massage it back to our right brain and finally onto the screen or paper. Indeed, this is the most common reason pantsers give against pre-planingning story structure.

Yet, a changing structure need not be an argument for not having one at all. There is absolutely nothing wrong with going back and adjusting/rewriting our midpoint, or second turning point, or pinch, according to the new direction that may result from the actual writing of our tale. Indeed, this to and fro movement between our left and right brain hemispheres may help to integrate the writing process and make us more accomplished writers — with only proviso: when letting the muse go, let her go. Don’t put her on the leash of structure. But when she pauses to rest, by all means, look over her shoulder and let the left brain take over for a while. Ideally, this occurs after the first draft has been written, as I have mentioned in a previous post. But there is no reason to assume that we shouldn’t pause to catch our breath from the creative hurly-burly and ponder on the direction of our stories, at any time.

Summary

Having a roadmap for our stories, no matter how scant or vague, helps us to drop in at any point of our protagonist’s journey and write from there. When the muse changes our roadmap in the act of writing itself, simply go back and adjust the map rather than assume it had no value in the first place.

Invitation

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