In his book, Elements of Style, William Strunk Jr. admonishes us to strike superfluous words from our writing. Our narratives will be more polished and energetic for it.
Here are some examples from his book:
- The question as to whether / whether
- There is no doubt but that / doubtless
- In a hasty manner / hastily
- He is a man who / who
- His brother, who is a member of the same firm / His brother, a member of the same firm
“Superfluous words weigh down sentences, lessening their import and impact.“
I often castigate students for writing paragraph-long sentences that confuse the reader. I suggest that the remedy is to break up long sentences into shorter ones that build through logical progression and culminate in a telling conclusion. Sometimes, however, the reverse is true. A single, well-styled sentence can deliver more. Here’s another example from William Strunk:
“Macbeth was very ambitious. This led him to wish to become king of Scotland. The witches told him that this wish of his would come true. The king of Scotland at this time was Duncan. Encouraged by his wife, Macbeth murdered Duncan. He was thus enabled to succeed Duncan as king.”
(Is reduced to:
“Encouraged by his wife, Macbeth achieved his ambition and realized the prediction of the witches by murdering Duncan and becoming king of Scotland.”
Brevity is even more important in screenplays, where a lean, tight style adds to a sense of pace—a requirement in many film genres.
Consider replacing wordy, action-block descriptions with punchier ones:
- Blake’s hand flashes like lightning to the table, grabbing the gun from it and pointing it at Jake in one breathtaking movement. / Blake snatches the gun from the table and points it at Jack.
- Matthew slows his pace down to jogging speed. / Matthew slows to a jog.
- Bethany rushes up to the wall containing the largest window in the room and climbs on the sill. / Bethany rushes up to the largest window and climbs on the sill.
”Brevity leads to precision. Precision leads to a heightened reading experience.”
Do not repeat redundant information in a scene’s action block:
- Burlap, now fully transformed into a werewolf, stomps into the room, thick muscles hiding under dark fur, fangs bared, great thighs ready to spring. / We already know what a werewolf looks like. Rather write: Bulap, now a warewolf, stomps into the room, ready to spring.
Although this cut-to the-bone brevity is less of a requirement in a novel than in a screenplay, all stories benefit through brevity and precision.
Strike superfluous words from your sentences to make your stories leaner and punchier.