In this post I deviate from my usual exploration of specific writing techniques to ruminate about that elusive creature, the muse.
At its core, inspiration is about the relationship between plotting and pantsing, about planning versus spontaneity, about the relationship between the left and right hemispheres of our brains.
I believe that thinking about the plot is necessary prior to our commencing the first draft, especially in a screenplay where precision born out of planning favours the budget. But I also maintain that magic often comes unexpectedly.
Certainly, knowledge of voice, structure, character, dialogue, pace, and the like—essentially left brain activities—is necessary during the editing of the drafts that follow. But can theoretical knowledge of the craft take the place of spontaneity, serendipity, and the efficacy of the muse—activities stemming from the right side of our brain?
I think not. Nor should it have to. I think the purpose of theoretical knowledge is to saturate both hemispheres so that practical knowledge (active skill) seamlessly and invisibly arises from the theoretical.
Inspiration is perhaps the clearest sign of the two hemispheres working together. Plotting and pantsing are not rival activities but co-conspirators in the craft of writing.
In writing Scarab II: Reawakening, for example, I meticulously plotted the shape of the story, using my understanding of structure, before commencing the writing. Yet, perhaps the most interesting part of the novel, the expanded role of Dr. Kobus van Niekerk, the South African archeologist, occurred at the last moment, during the actual writing itself. This was unplanned and was as much of a surprise to me as I hope it is to the reader. This was a moment of inspiration that came from beyond conscious planning.
My point is that large structural changes or additions stemming from some unexpected source can assail one at any time, and should be absorbed, if deemed fitting, during any stage of the writing process.
Inspiration often comes unexpectedly and might seem at odds with our original intention. Integrating it into our creative process, however, often makes for more original and inspired stories.