Today, we’re continuing to explore a crucial aspect of storytelling: dialogue. This narrative component is such an important part of storytelling that it has given rise to countless of books and courses on how to master it. Specifically, we’ll explore what Dwight V. Swain calls dialogue continuity in his book, Film Scriptwriting – A Practical Manual.
Swain affirms that one of the markers of good dialogue is continuity flowing from a question-and-answer format, and the repetition of words. That is, lines of dialogue which acknowledge the ones preceding them. There are several ways to do this. Let’s focus on two of the most common techniques: the question/answer structure and repetition.
Repetition couched in a questions and answers.
Repetition, embedded in a question-and-answer format, can be a powerful tool in creating continuity and mounting tension. By repeating a word or phrase from one line to the next, and demanding answers to questions, writers create a flow that keeps the conversation cohesive and engaging.
A good example of this technique can be seen in the Better Call Saul episode, Chicanery. There is a courtroom scene where Jimmy (Saul) McGill cross-examines his brother Chuck McGill, a brilliant lawyer himself. Chuck claims to suffer from a mystery illness which makes him sensitive to electrical currents. The courtroom lights, except for the Exit sign, have been switched off, and all electrical devices such as cellphones and watches, removed from the courtroom.
Chuck is accusing his brother Jimmy of unlawful practices and wants to have him stripped of his law licence. Jimmy’s only defence is to have his brother appear so mentally challenged by his phobias so as to render his testimony against him unreliable. This scene masterfully uses the question-and-answer format, as well as some repetition of words to build mounting tension, only to have it released at the end, showcasing Jimmy’s mastery of the set-up.
Example from Better Call Saul, Season 3, Episode 5: Chicanery:
- Chuck: The further away it is, the stronger the source has to be to have an effect.
- Jimmy: Got it. Got it. So If I had a small battery, say from a watch or something, and I got it close to you, close to your skin, you’d know.
- Chuck: I would feel it, yes.
- Jimmy: Can you feel more current from any particular direction right now? From that back wall? Or from over there? Or up through the floor? Can you tell us where the nearest source is, right now?
- Chuck: (Growing suspicious). Jimmy, do you have something in your pocket?
- Jimmy: Yes, I do, as a matter of fact. (Takes out a cellphone from his pocket). My cellphone. From this distance you should feel it, and you don’t, do you?
- Judge: Mr. McGill. You were warned to leave your electronics outside.
- Chuck: It’s alright. It’s alright. May I? (Takes the cellphone from, Jimmy). Just as I thought. There’s no battery in here. You removed the battery. That’s a sorry little trick, isn’t it?
- Jimmy: Yea. You got me Chuck. Dead to rights. I removed the battery…
”Expertly written dialogue contains questions & answers, and the repetition of specific words.”
- Chuck: God Jimmy. Don’t you know by now, this is real. I feel this? It’s a physical response to stimuli. Not a quirk. What do we have to do to prove it to you?
- Jimmy: I don’t know, Chuck. Could you reach into your breast pocket and tell me what’s there?
- Chuck: What now? (Chuck fumbles in his pocket and removes the cellphone battery that Jimmy has had one of his employees placed there surreptitiously. Chuck throws the battery on the floor).
- Jimmy: Can you tell the court what that was?
- Chuck: A battery. (Realising he’s been tricked.)
Jimmy explains to the court that he had one of his men, Huell Babineaux, plant the fully charged battery on Chuck when he bumped into him in the passage an hour and forty three minutes ago, disproving Chuck’s claim that electric currents make him feel ill, and undermining his testimony against Jimmy. The question-and-answer format, the repetition of the word battery have all served the flow and continuity of the scene, and have helped to bring it to a crescendo.
Embedding the repetition of words into a question-and-answer format, then, is an effective way of creating mounting tension while maintaining continuity. The technique keeps the conversation focused and dynamic, ensuring that each new line flows naturally from the previous one.
Other Techniques
While repetition and the question/answer format are powerful tools, there are other ways to enhance your dialogue, too, such as extended pauses, misdirection, a change of subject, and subtext which can add layers and depth to the dialogue. Regardless of the technique, however, the key is to ensure that your dialogue flows.
Summary
Repeating words embedded in a question-and-answer format is an effective way to create mounting tension and dialogue continuity in your novels and screenplays.